This is a short research film made during a textile research residency in Bangladesh. Meeting and working with local Jamdani weavers and their families. Rupganj is located just outside of Dhaka, here I met Alamin Bhai's family business, a weaving workshop nestled amidst many others in a village nearly entirely dedicated to making and setting up looms, and the weaving of Jamdani sarees.
Performance part one - Making the Warp - "Your threads cut my fingers..."
This short video outlines the first performance of "Your threads cut my fingers...." Creating the fine, cotton warp which was then used in the second performance piece of "Your threads cut my fingers... they bleed yet again and again" at INIVA. This warp was beamed on to use on the loom, slowing drawing and unravelling the threads across the beams before being cut.... Undoing and re/doing the repetitive actions and labours of (historically violent) textile production in making a reflection on creativity/bodies/production and capital...
An exhibition exploring the theme of cultural identity and diaspora, within the framework of contemporary art. Showcasing different viewpoints by 12 artists across the UK on a variety of issuesthat arise when cultures merge, such as displacement, belonging, migration and heritage.
A collaboration by Raisa Kabir and Raju Rage who have worked on individual and collaborative textile/art practices, using cloth as a binding theme and thread, as a decolonising tool of resistance and metaphor. Using cloth, in installation and performative pieces, we address the violences of colonialism, in conjunction with carrying a gendered diasporic South Asian queer identity, in order to unpick the meanings of cotton cloth on the brown queer body. We are particularly interested in the British colonial migration of South Asian labour to the rail roads of East Africa and to textile mills of Britain, in places such as Manchester.
"There is More at Stake Than Just 3 metres of Cloth" A cloth to be worn as a turban, conceptually conceived by Raju Rage, was collaboratively designed and hand woven by Raisa Kabir. Exemplifying the migrations of South Asians from North India/Panjab to East Africa to Britain, and the symbolism encoded within the turban. It signified a visual recording of this complex migration history, the colours which begin brightly coloured as worn in India, are symbolic of the transition of culture, as they migrated again and again, in order to survive the racism, and violences of living in the diaspora, the colours sobering until the cloth is rendered plain black. The final woven turban was then used in a performative piece by Raju Rage who wore the cloth on their non binary body, reiterating the struggles of having to define gender, culture, race, ethnicity and sexuality in the diaspora.
Woven cloth 2014
5 x images from performance as part of Guest Projects Residency London 2014
Clothes, Cloth and Culture Group meeting in February featured a collaboration between two young artists, Raisa Kabir and Raju Rage. They described how they use their art and textile practices to address gendered South Asian queer identity and the meanings of cotton cloth on the brown queer body. Raisa Kabir brought along examples of her woven textiles and Raju Rage dressed in a sari printed with archival photographs.
The artists worked together on the project "There is More at Stake Than Just 3 Metres of Cloth" which represents the migrations of South Asians from North India/ Panjab to East Africa to Britain and the symbolism encoded within the turban. Sociologist Nirmal Puwar offered her thoughts and questions followed by comments from the intrigued audience.
Read more about the participants on the webpage and an audio recording of the event is available below.
19 Feb 2015 Stuart Hall Library Clothes, Cloth & Culture Group
The politics of cloth as a tool of resistance, and the queer brown body. Join us on Thursday 19 February 6:30 - 8:30pm to hear artists Raisa Kabir and Raju Rage and sociologist Nirmal Puwar.
Two young artists, Raisa Kabir and Raju Rage, use their art/textile practice to address the violences of colonialism, gendered South Asian queer identity, and the meanings of cotton cloth on the brown queer body. They use cloth as a decolonising tool of resistance and metaphor. Sociologist Nirmal Puwar will respond to their presentations.
"There is More at Stake Than Just 3 Metres of Cloth" A cloth to be worn as a turban, conceptually conceived by Raju Rage, was collaborativly designed and hand woven by Raisa Kabir. Exemplifying the migrations of South Asians from North India/Panjab to East Africa to Britain, and the symbolism encoded within the turban. It signified a visual recording of this complex migration history, the colours which begin brightly coloured as worn in India, are symbolic of the transition of culture, as they migrated again and again, in order to survive the racism, and violences of living in the Diaspora, the colours sobering until the cloth is rendered plain black. The final woven turban was then used in a performance piece by Raju Rage who wore the cloth on their non binary body, reiterating the struggles of having to define gender, culture, race, ethnicity and sexuality in the Diaspora.
"Your threads cut my fingers, they bleed yet again and again" A part live "woven" art piece evoking violence in the history cotton cloth production, and the resistance of the queer brown body. Focusing on racialised labour, migration of textile workers, and the Bengali Diaspora, the work re-links the geographies of the cotton towns Oldham and Dhaka. Raisa looks at the extreme labour processes of hand weaving as a metaphor for the racialised queer body, and the histories carried in cloth/the body.
Raisa Kabir is multi-disciplinary artist, weaver and writer, who uses contemporary textiles, sound and photography to interrogate, and question concepts around the politics of dress in connection to space, gender, race, and sexuality.
Trained as a weaver at Chelsea College of Art, she utilises the embedded histories of cloth, to comment on the compacted social histories that are encapsulated within material culture. She has written about South Asian queer dress identity and culture, queer femme of colour invisibility, as well as cultural appropriation, ethnicity, diaspora and dress.
Raju Rage is an interdisciplinary artist, creative-critical writer and community organiser who is proactive about carving space, self-representation and self-empowerment using art and activism to forge creative survival.
Working in live art, Raju focuses on de-con-structive techniques of resistance such as interruption, confusion, disturbance and anti-performance, primarily using embodiment and working with assemblages of sculpture and multi-formulations of unspoken narratives. Raju Rage's current project 'The Dilemma of the Diaspora to Define' examines the tensions and conflicts of negotiating complex diasporic identity using culturally coded sculptural objects such as cloth.
Nirmal Puwar is a senior lecturer in Sociology at Goldsmith's College, University of London. As a leading sociologist she looks at issues of race, gender, space and body. She is the Director of Methods Lab, which initiates a series of projects at the intersection of academia and other public, as well as private, realms.